Reclining Figures

The exhibition Reclining Figures in the South Hall brings together a unique selection of sculptures centered around one of the oldest and most recognizable motifs in the history of sculpture: the reclining figure. Since antiquity, this theme has symbolized not only rest and reflection, but also the intrinsic connection between humans and their environment.

In modern art, the motif of the reclining figure was reinterpreted by Henry Moore, who used it to explore the complex relationship between the human body and the landscape. Following in his footsteps, artists such as Charlotte van Pallandt, Mimmo Paladino, and Hans Op de Beeck each offered their own personal take on the theme, experimenting with diverse forms, materials, and techniques.

This exhibition presents a rich and varied overview of both abstract and figurative approaches to the reclining figure within modern and contemporary sculpture, demonstrating how this timeless motif continues to inspire renewal, dialogue, and depth in the visual arts.

To provide further context for the exhibition, Dick van Broekhuizen, Head of Collections and Research and exhibition curator, has written an extensive dossier on the reclining figure. Read the dossier here.
 

Thumbnail: Henry Moore, Two piece reclining figure no. 4, 1961 © The Henry Moore Foundation. All Rights Reserved, DACS c/o Pictoright Amsterdam 2026. Collectie Stedelijk Museum Amsterdam.

Header: Hans Op de Beeck - Aline II. 2016. Photo: Studio Gerrit Schreurs